"She refused to be bored, chiefly because she wasn't boring." Zelda Fitzgerald

Showing posts with label perspective. Show all posts
Showing posts with label perspective. Show all posts

Friday, July 28, 2017

Poetry Friday: A Piece About Perspective





Happy Poetry Friday! Its been a long time since I participated but I'm back in the saddle, summer fueling my creative side. Today is the day I share an original poem, hopefully one I made up just today and join in with other poets and poetry lovers to share our work and the work of those we admire. Today our host for Poetry Friday is Mitchell Linda over at A Word Edgewise. Go take your morning cup of coffee over tomorrow and glide through all the stacks of wonderful poems. Such a great way to open your mind for the weekend and to take it all out and shake out the wrinkles before a new week begins. 

This week I am sharing a poem that was begotten via a poetry prompt from our hostess. Thank you so much for the beautiful first line, Mitchell Linda... This took me happy places. I was thinking of the very common scene in my backyard with my four little boys playing together and losing things together over the garage roof or over the fence to the neighboring yards. Lots of great images and meaning layers there if we look at even the simple and mundane scenes in our lives.  
Above Ground
"Don’t worry—there are ladders."
He told his little brother after they
Sailed a balsa glider quite out of reach
Onto the garage roof.  
He was just deflating, melting into a
Puddle of heartbreak on the sidewalk,
his kindergarten joy sailing out of reach
Onto the garage roof. 
His big brother lifted his chin with a finger,
And gave a wink towards the rungs
And pulled his hopes upright again
Onto the garage roof. 
How many times I could have rallied
If I could only learn to look up myself.
Remembering that there are ladders
Onto the garage roof.





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Tuesday, July 15, 2014

Choose Your Marinade

Its a quiet day full of small things like egg gathering, working on the laundry, helping people sound out words in comic books and expressing awe every time the thunder booms outside the window. I have been to the mechanic to fix the random piece of plastic hanging down under the front end of the car (Zip ties? Alright!), have been to the bookstore to pick up the book I have been pouting about missing with my book club a couple of months ago, so that I have travel reading (The Orphan Train) and have made one last playdate/mama hang-out session appointment so that we leave town with our social tanks all full.


I have been learning in the past few months how important it is to accept your negative emotions but to not live in them. Learning to step outside of how I feel and observe it objectively is a really astoundingly life-giving skill. I'm still not super good at it but its in my toolbox. I love knowing that nothing I feel defines me, that emotions are real and important and yet they pass, that the weight we give to things is the weight they carry, and that I am mistress of my own ship. I can choose how I feel and what I focus on, and I can also solve the problems I feel badly about. Validation + Empowerment + Optimism. 

Any little small-time, rainy day can feel gloomy, closed-in, overwhelming or lacking in life, like a place where problems and hard feelings stew until they are your own private marinade, a flavor you own. Instead, I'm living deep, being brave, feeling peace, slowing down, looking my boys in their twinkling eyes, reading stories, dreaming up some new painting ideas and flipping through travel guides for The West Coast. 


My beehive swarmed which, basically means that the whole flock up and flew away because the queen said to. There's no telling why exactly, maybe they felt cramped, maybe they hatched a new queen and she was a rolling stone, maybe the girls didn't like the new plastic, comb frames I put in before I left for Michigan. This is disappointing, but its also a good reminder that we only give shelter to bees, we don't really "keep" them. They are wild animals and not really controllable in the sense that we normally reserve for livestock. 

The six chickens in the backyard are giving my five eggs a day, and just to keep themselves all in the running, they are rotating which lady hen is taking a rest that day. I feel slightly annoyed but if I step out of entitled ego, I realize that rest is good for bodies, even chicken bodies and I can chuckle imagining a chicken council with the elected madame being given her daily pass in rotation. Maybe they are holding out until I buy the larger coop I am saving towards!

May your day be full of quiet empowerment. May you know the power of validating your own feelings and the strength of stepping outside of them to see gratitude. May your marinade be peace and may humor cover it all. 

I'm off to start packing! 

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Wednesday, December 26, 2012

Christmas 2012


We spent much of Christmas 2012 wiping noses, dosing out painkiller and getting up in the night with stuffy toddlers; real reality for sure. We also had some moments of pretty idyllic beauty, and it is all about perspective, isn't it? Big warm mugs of mint tea, boisterous carol singing in the car, our record-best gingerbread cookies ever, homemade pomanders, snowflake cutting that drifted the table full one night before bed, and a 3 AM wake-up of enormous excitement on Christmas morning.



I am busy processing everything I've learned and missed learning in 2012 and gearing up for exciting new clean slate living in January! Hooray for The New Year!!!!

A very merry Christmas to all of you (yesterday was only the first day of 12!) out there in the world. I hope your pain this year was your teacher, your joy was deep and your hope springs eternal! Much love from all of us here at Chez Armstrong!
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Tuesday, August 9, 2011

Peek In My Portfolio

It's been quite a while since I talked about my painting, but don't worry, that's not because I've quit! It's just because summer is insane and I forget to share. I am also having a little bit a lull right now because our painting group is on a kind of holiday for a few weeks but I fully expect to continue painting as soon as I get the chance. I thought I'd do a little bit of painting outside of our meetings while we were all adjourned but I am amazed to discover that I have done none. Zip. Ah well...I'm growing big juicy tomatoes and thinking fondly of my brushes.
Here's the latest stuff I've painted, right before our recent break.
Part of the Grand Teton Range, I forget which peak.
This painting and the next three I painted while were on our family vacation this summer out at Yellowstone. I took my brush roll, my paintbox and a small portable watercolor block and painted using a little water in a soda bottle with a cap, whenever the group (we were with a family reunion) had a moment of downtime. It worked beautifully and was really exhilerating, some of the first in-situ work I've done. Another great thing about it was that it forced me to work quickly. I tend to get really caught up in all the slow, picky details of paintings and sometimes overwork things as a result. I'd like to become more quick and suggestive. These paintings were step in that direction.
We stopped for a picnic lunch at this lake and I painted while everyone else finished eating after I was done.

This tree was outside my cabin window and I sat at a desk and painted it one morning while the sun got warm and bright.


This IS the cabin window. Really hard to paint the fog on the windows, the light in the drapes and the shape of the log walls.

This is right around the corner from our house, I stopped the car to look at these amazing tree full of red berries a couple of times before I realized that I needed to paint them.

The above painting was another realy fun experiment in "looseness" as an artist. I worked on all those houses and the stone wall and the angles and geometry and then I took my brush with that bulls-eye red paint and I splattered the berries on those trees! EEP! It was kind of scary and super fun and it just happened to work.

This is one of my really classic-style landscapes. This wonderful tree arches over the little harbor on the lake where my in-laws live.
This painting was really fun too, kind of classic and I really struggled to make it feel like it had depth instead of just feeling flat. I love the colors...that bang of orange on the kayak and all that grey-blue next to it with the sun hitting all those gold/greens at the top. This painting feels like a moment I want to be in.
I love how this painting turned out. The glass jars, 3D effect of all those rows and the peach slices floating inside the containers as well as the metallic lids were a huge challenge but also a major triumph.
 Just as I was starting the canned peaches painting above, and just finishing the apricots in a bucket, below, a fellow painter friend wandered past and casually noted that they were companion works. How funny is it that here I was, painting this golden fruit sequentially and I hadn't even noticed that they "went together." Interesting the themes that develop.
This frame is a sort of goldy-orange metal frame, sleek and simple to counter-balance the sort of country feel of the painting and help it stay more versitile while playing on the same color themes. Love that gold ring of matting he put around the painting.

And now a little framing report. I have a wonderful, creative, kind and very expensive framer. I love, love, love his work but I seriously need to start selling some stuff to afford suiting up many more of my pieces. I thought I'd show you how a few of my most recent paintings ended up looking when he'd had his turn with them.
This painting was framed in a deep shadow-box style frame, and would look great with a small light shining on it to make the sunset scene glow. The colors washed out funny here but you get a view of the thick, chunky frame.
Here's how the painting actually looks. Pretty cool, eh?


And then this last one, which is now actually hanging on the wall in my kitchen! Hooray! I was surprised but pleased when he framed it in a big thick white frame. It's a bit hard to see on the white wall but it is a lovely maybe inch and half to two inch thick edge, and the matting is a big thick white cut on an angle around the painting. He made a pretty small little floral watercolor that could have felt like an afterthough into a much more dramatic, weighty piece.

So, that's what I've got at the moment. I can't wait to update again soon. I hope I'll have all kinds of lovely things to share in two shakes. This whole "taking breaks" thing is getting to me.

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